Category — South Pacific

South Pacific

Put together a dish of Tony Award nominees/recipients and a deeply moving drama with an exhilarating musical score on the side for a five star meal you won’t forget – South Pacific. First performed half a century ago, Rodgers & Hammerstein puts this exotic beauty back on stage as a Broadway musical with a re-invigorated passion.

South Pacific explores and challenges many cultural views of Western society during the 1940s, namely the abhorrence of romance with Eastern natives. Forbidden love outlines this story’s drama; impulse fills it. As the story is set in the times of the second Great War, we also get a nice insight into the lives of American soldiers who were fighting the Japs amidst an unknown territory. The soldiers provide jokes and other comical debriefs that cast the musical in a more cheery mood, despite the nature of the drama being told.

With South Pacific, there is something else besides music to appreciate. It’s like eating a slice of cheesecake, only to find a layer of sweet, chocolate filling in the middle. You hear the music and you watch the comedy, and you think to yourself, “It’s damn good.” But then, you discover that there is a message the play is trying to convey, something explicitly woven into the long dialogues of the protagonists, that sweet chocolate filling, and you think to yourself, “It’s better than damn good.”

Lincoln Center Theater’s Rodgers and Hammerstein’s South Pacific is the first “Broadway” revival of the show since its opening nearly 60 years ago. As one enters the theater, there is a script spread across the stage, upon which are projected the first few sentences of James Michener’s “Tales of the South Pacific,” the book upon which the show was based: “I wish I could tell you about the South Pacific. The way it actually was. The endless ocean. The infinite specks of coral we called islands. Coconut palms nodding gracefully toward the ocean. Reefs upon which waves broke into spray, and inner lagoons, lovely beyond description. I wish I could tell you about the sweating jungle, the full moon rising behind the volcanoes, and the waiting. The waiting. The timeless, repetitive waiting.” [Read more →]

The lights dim and the orchestra strikes a chord, pulling the audience into their seats.  As the overture concludes the stage silently creeps over the musicians’ heads, pushing the world of South Pacific into the world of the audience.  As the play progresses a giant airplane is brought on stage, setting it for the SeaBees to belt out their raucous rendition of “There Ain’t Nothing like a Dame”.  Their antics and underdog bromance keep the play glued together throughout the night, with the many plot lines separated by the different styles each actor will take with their role.  [Read more →]

The audiences recognized the success of the play. South Pacific, opened at the Vivian Beaumont Theater at Lincoln Center, captured the audiences with the originality of the music by the orchestra and the theme of love and racial prejudice. Although the original play had a bigger impact, South Pacific was able to convey the idea that many issues from the past are still relevant today, such as the debate on the legality of gay marriage, very similar to the arguments on interracial marriage sixty years ago.
South Pacific centered on the love story between Ensign Nellie Forbush, naïve Navy nurse from Little Rock, Arkansas, and Emile de Becque, affluent French planter owner, with the subplot of love between Lieutenant Joe Cable and Liat, daughter of Bloody Mary. The play advanced with the struggles both couples have had for facing racial prejudice from the society as well as inner conflicts within the characters. The play also showed other elements of struggles of soldiers during World War II, particularly the African Americans. During one of the musicals, they were separated from the rest of the Seabees. By including this small part of the play, the director achieved his goal of not only questioning interracial marriage but as well as military segregation.  [Read more →]

what ain't they got?

Ladies and Gentlemen, there is sunlight on the sand and dames aplenty in the sparkling new revival of Roger and Hammerstein’s “South Pacific” regardless of what twinkling hedonist Luther Billis’ (as played by a cheeky Danny Burnstein) groans.

Stepping into the theater I instantly felt a sense of glee and burning anticipation in the crowd. This anticipation was not misplaced as I observed that many of the beaming theatergoers were probably old enough to have seen the original “South Pacific”.  I wondered if this musical was good enough to see more than once and after watching it, I am sure it is. Their anticipation slowly changed into participation as I was touched by many couples sitting side by side slowly singing along or mouthing the words. My peers and I may not have been in the same situations but the wonderful thing about “South Pacific” and its classic score is simply that. It is classic and will always be relevant. It is a multifaceted gem of sorts to be handed down from generation to generation and to bridge the generation gap. [Read more →]

[Read more →]

About this picture: There are two pieces of white chocolate, joined at the middle. One is surrounded by pieces of other pieces of white chocolate while the other is surrounded by pieces of milk chocolate. The latter is supposed to represent Emile and his life in a multi-cultural world and the former is supposed to represent Nellie and her life in a uniform world.

What makes a love story timeless? Is it the romantic emotion that characters display to an audience? Or is it the conflict that each involved character must face in order to know love? Or could it be the conclusion of the story that really wins the heart of an audience? Surely, Rodgers and Hammerstein’s play South Pacific answers all of these questions. In the Lincoln Center Theatre in New York, NY, it brings an unconventional love story to life on a stage which, with its realistic backdrop and impeccable lighting, provides a clear picture of the South Pacific.

[Read more →]

Bartlett Sher’s revival of the 1950’s Rogers and Hammerstein musical “South Pacific” is more like a rebirth. The production illuminates the controversy that played such a big part in the original production. Unlike most revivals, “South Pacific” is not a foggy reenactment of an outdated show; it is brought to us in full color, with all the vivacity of the first showing.
[Read more →]

Source: www.broadway.com

As Luther Billis and company declare what exactly is unlike anything else in the world while Nellie Forbush washes charming Emile de Becque out of her hair, it becomes obvious that spunk is something Rodgers’, Hammerstein’s, and Logan’s South Pacific delivers in spades.  Drawing from James A. Michener’s Tales of the South Pacific, Bartlett Sher’s endeavor is an enjoyable experience that fails to be anything more socially responsible. [Read more →]

It was over fifty years ago that James Michener wrote Tales of the South Pacific. It was fifty years ago that Michener’s play was first made into a movie. And now, Richard Pearce directs his own version of the critically acclaimed novel. Pearce’s musical adaptation of the book and Rodgers and Hammerstein’s play is impeccable. A wonderful cast, beautiful music, and a stunning setting, come together to create a great film portraying the hardships and tensions of life at war and away from home. [Read more →]