Apocalyptic Industry

From the top, I apologize for the extreme lateness of my posting.  It seems, though, that every time I’ve sat down to write, I’ve done my usual procrastinating-web search to glance through the usual places in search of interesting diversions to read and, surprise surprise, everywhere I look is a story of the apocalypse.  I wanted to only write about The Albertine Notes, but then I recalled a line from very early in the text, when the narrator first meets Cassandra: “I’d had enough with the Hasidim and the Baptists and their rants about end-times [emphasis original].  The problem was that Albertine, bitch goddess, kept giving conflicting reports about which end-times we were going to get,” (143). Continue reading

The Familiar Yet Unrecognizable Road

As I read The Road (I’m not quite to the finish) what seems most powerful to me is the style that McCarthy uses in creating the post-apocalyptic.  The grayness of the text seems so vividly real, and depressive.  Descriptions of ash, of the layers of worn and distressed clothing and blankets, of the rare pleasure of finding food, the frustration when that food is contaminated, are rendered in such a way that though the language is overwhelming drab, and dark, and dreary, it is an image quite easy to realize in the mind, and immediately something profoundly tragic.   Continue reading

Localizing the Apocalyptic

I have been looking forward to The Road for some time not so much for the novel itself, I’ll confess, but so that after I read the book, I can watch the film, and then see all the local places I grew up around, with Viggo Mortensen pushing a cart and wielding a gun through them.  As a Pittsburgher, you are, in some sense, innately in touch with the apocalyptic, or perhaps post-apocalyptic.  Pittsburgh is a place where, between 1980 and 1984 alone, 50,000 steelworkers lost their jobs, as the economy hemorrhaged and the region seemed doomed.  Today, in most ways, the economy has recovered quite well, with the region as a whole experiencing an unemployment rate below the national average.  Yet feelings of impending doom are embedded in the Pittsburgh psyche, and much of this is due to the scars of decades of heavy industry followed by a total collapse of that.   Continue reading

A Manifesto for the Paranoid Mind

In this class thus far, we have read and viewed some troubling things, but none on par with The Turner Diaries.  After reading some of it a few days back, I thought of that, and of course the reason, for myself at least, is the original-source nature of such a text (not sure if this is the correct terminology): this is not a text about anything, but rather was meant, to some people at least, to be a sort of manifesto.  In some cases, the Oklahoma City bombing notably, the manifesto was carried out.  Reading such a text as this can be quite disturbing, but ultimately, it teaches in a way a review, or other scholarly or journalistic work on a text cannot: it forces direct confrontation with such disturbing ideas, with no distance allowed, just the raw message, not distilled by a third party for easier consumption. Continue reading

Apocalypse through the Decades

On Friday night, I saw the movie Miracle Mile at the Doomsday Festival.  The film was as much a meditation on the 1980s and Los Angeles as on the end times through the deployment of nuclear bombs, but that the film was dated, with a bit of campiness accompanying its attempts at creating a sense of apocalyptic urgency, made it much more enjoyable to watch, and in a way, made it easier to see the same sort of thinking alive in the present moment as for Angelenos gripped in terror of impending nuclear destruction. Continue reading

Urban Apocalypse

Both this week and last, images of the city as a place of apocalypse are ideas which have been perhaps most provocative to me.  In both Watchmen and Children of Men, the city is the site of the apocalypse at its greatest (worst?) expression; it is in the confines of the urban environment that these secular apocalypses are to be most feared, and it is the escape from the city that can provide an escape from apocalypse, or at least the worst conditions of it.  Why the urban space is the place best fitted for a secular apocalypse is something that has troubled me: is it because the urban space is inherently crowded, or perhaps because technology, and the use of such, seems at its greatest presence in the city?  Or does it play on notions of the person of the city dweller, as already occupying the role of the other, the modern who has strayed too far from tradition (in whatever context that may be). Continue reading

Nostalgia, Apathy, and a Clockmaker

Perhaps the most satisfying aspect of reading Watchmen was that it was a comic book, and the particular way in which one enters into a fictional universe that the comic book allows.  Especially considering how heavy the text was on apocalyptic imagery, it allowed an entry into a world which felt fully realized, and in that way, all the more frightening.  Had the novel been text alone, the plot itself is strong enough that it could easily have been captivating as a traditional text novel (if that is the term).  But the visual element truly made the experience for me.  More than anything, reading Watchmen immediately post-Glorious Appearing was a lesson in not judging a text by form alone, as the graphic novel in this comparison is words apart from the traditional novel in character development, complex unfolding of plot, and use of symbols and themes. Continue reading

Mercy, Revised

Last week, I did not write about Glorious Appearing, which makes me feel the task all the more necessary, if unfortunate.  Firstly, the overall structure of the book must be noted: I felt like I had whiplash from the constantly changing storylines, one moment with this person, next page with another, then a third introduced, then full circle and back to the first character. Continue reading

The Good, Violent Apocalypse

Perhaps an idea about apocalyptic thought I have found most confounding—and intriguing—has been the sheer amount of thirst, or want, or desire, call it what you will, associated with believers in seeing, living, and experiencing the day of doom.  End time scenarios are never quite pleasant—they always involve some degree of torment, of pain and suffering, and certainly lie in stark contrast to what we might envision as a narrative of life, love, or tolerance that might be (naively, perhaps) expected out of those claiming the Gospels as their gospel.  Continue reading

Apocalyptic Suffering Recast

When one reads the Book of Revelation, as was our task last week, it would seem that at the end times, everyone will suffer.  Yet a peculiar recasting of this apocalyptic scenario took place in the Western world between the time of John’s strange visions and our modern moment, to the point of which only some suffer, while great numbers of others are totally excluded from the apocalyptic horror, and instead given something akin to a stadium box seat above the action, as the are “raptured” into heaven just before the things which must shortly come to pass, actually do (Kirsch 190). Continue reading