The Arts in New York City » Kenny Li http://macaulay.cuny.edu/seminars/saldana07 Art Is Where You Find It Sun, 23 Dec 2007 16:25:06 +0000 en hourly 1 http://wordpress.org/?v=3.2.1 2006-2007 lhorridge@gmail.com (The Arts in New York City) lhorridge@gmail.com (The Arts in New York City) 1440 http://macaulay.cuny.edu/seminars/saldana07/wp-content/plugins/podpress/images/ravendrap.jpg The Arts in New York City http://macaulay.cuny.edu/seminars/saldana07 144 144 http://web.honorscollege.cuny.edu/seminars/saldana07/?feed=podcast Art Is Where You Find It The Arts in New York City The Arts in New York City lhorridge@gmail.com no no Kenny Li’s Final Podcast http://macaulay.cuny.edu/seminars/saldana07/2007/12/kenny-lis-final-podcast/ http://macaulay.cuny.edu/seminars/saldana07/2007/12/kenny-lis-final-podcast/#comments Sun, 23 Dec 2007 15:56:01 +0000 admin http://web.honorscollege.cuny.edu/seminars/saldana07/?p=513 ]]> http://macaulay.cuny.edu/seminars/saldana07/2007/12/kenny-lis-final-podcast/feed/ 3 0:00:01 PODCASTS lhorridge@gmail.com no no Guggenheim Museum http://macaulay.cuny.edu/seminars/saldana07/2007/12/guggenheim-museum-2/ http://macaulay.cuny.edu/seminars/saldana07/2007/12/guggenheim-museum-2/#comments Wed, 12 Dec 2007 19:32:49 +0000 KennyLi http://web.honorscollege.cuny.edu/seminars/saldana07/?p=486 Having gone to the Met and MoMA for modern art, I decided to go to the Guggenheim Museum. The Guggenheim Museum was special, not only because it contained modern art, but also because the building itself is a form of modern art. Designed by Frank Lloyd Wright, it was meant to be organic art, or one with nature. Although the exterior was under renovation, the spiral design is well known throughout the world. On the inside, the spiral-like design is present again with a dome over the top. A striking issue I noticed was that there were no support beams holding the building up. Inside the museum, artworks from famous artists like Van Gogh and Picasso were present. The most interesting would be the “Word Arts” spread around the spiral hallways. It usually contained a short joke phrase such as, “My father was a drunk. The last I heard from him, he went to Canada to drink it dry.” The Guggenheim was definitely worth going because it combined some abstract art with modern art that was understandable.

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Kenny Li’s Podcast Review http://macaulay.cuny.edu/seminars/saldana07/2007/12/kenny-lis-podcast-review/ http://macaulay.cuny.edu/seminars/saldana07/2007/12/kenny-lis-podcast-review/#comments Thu, 06 Dec 2007 20:12:12 +0000 admin http://web.honorscollege.cuny.edu/seminars/saldana07/?p=456 ]]> http://macaulay.cuny.edu/seminars/saldana07/2007/12/kenny-lis-podcast-review/feed/ 2 0:00:01 PODCASTS lhorridge@gmail.com no no Art in History, not Art History http://macaulay.cuny.edu/seminars/saldana07/2007/11/art-in-history-not-art-history/ http://macaulay.cuny.edu/seminars/saldana07/2007/11/art-in-history-not-art-history/#comments Wed, 14 Nov 2007 04:11:56 +0000 KennyLi http://web.honorscollege.cuny.edu/seminars/saldana07/?p=424 The Museum of Natural History does not exhibit history only. From my childhood memory, my impression of the museum was a shady place filled with scary images of animals and statues. However, this time, my biggest surprise came from the Milstein Hall with the sculpture of a giant whale hanging in the center of the room. The whale was undeniable fascinating in design. In addition to the whale, the overhead screen gave me the feeling of being underwater with its use of blue and white colors. The surrounding sounds and cool climate contributed to the impression of what life was like underwater. Even the polar bears on display had such discrete expressions, making me question whether they were artificially made or real life animals. With the help of technology, it was no longer about memorizing facts or names, but to experience them the way they should in their climate, or at least an artificial representation of it. In all, my trip was not only to learn about history, but to experience the artistic portrayal of history, especially with the help of technology.

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Creative Japanese http://macaulay.cuny.edu/seminars/saldana07/2007/10/creative-japanese/ http://macaulay.cuny.edu/seminars/saldana07/2007/10/creative-japanese/#comments Wed, 31 Oct 2007 16:47:49 +0000 KennyLi http://web.honorscollege.cuny.edu/seminars/saldana07/?p=374 When the latest games or hottest gadgets are unveiled, one term comes to mind; Japan. Over the past few years, Japan has been the source of eye-popping envy throughout the world. Every time there is a new hype, it is always connected to Japan in one form or shape. I wondered, is everything from Japan that attractive? This leads me to the Japanese section of The Metropolitan Museum of Art. I had high expectations of Japanese productions; even if it is old, I believe there are bound to be inspiring.
Upon entering the doors to the Japanese section, I noticed something was different. It was dimmer, but still readily possible to see. I noticed that the artworks did not capture my attention at first glance. Unlike artworks with bright and shiny colors, Japanese artworks do not forcefully draw your attention. Occasionally in art, the uses of colors are so overwhelming that it is painful to the eyes. However, this was a good change for me because I believe in appreciating an artwork for its content, rather than for its colors.
There were many panel drawings, mostly done in black, gray, and green ink, which appealed to me. I came across the Four Accomplishment by Kano Motonobu, which by far was my favorite. It composed of two panels adjacent to each other. It was simply drawn, but the meaning behind it was eloquent. It uses simple images such as birds and snow to symbolize the four seasons of nature. Nature was a crucial theme to Japanese art, just like God to the Renaissance. The remarkable component of this piece was, in order to see the small details; I had to give up the bigger picture altogether. Vice versa was also true; if I wanted to see the bigger picture, I had to sacrifice the small symbolic details. The Four Accomplishments was just one of those artworks that cannot encompass both the big picture and the small details at the same time. This was an interesting way to observe an artwork.
Another creative Japanese design would be a living room remake. Initially, I did not give this much attention. However, this created a greater sense of surprise when I begin to think of how different this is to western rooms with swinging doors and chairs. This room had multiple sliding doors that supposedly connect to another room. There were no chairs, which I learned that the Japanese would kneel or sit on the floor. Even though this was a normal living room in Japan, it was in itself an artwork because everything seemed fashionable. I am still shocked at how different Japanese people live their lives. Although I felt alien to the environment, I had an urge to be there, experiencing this new style. However, when I approached too close to the set, the alarm would go off, forcing me to retreat.
After observing many Japanese art pieces, I was impressed with Japan. Most of their creations are unique, giving them an attractive appeal. Even after westernizing, Japan is able to retain its uniqueness with its culture. With their creativity, no wonder people around the world envy the Japanese so much. I would definitely recommend Chinese people (to explore a new form of perspective), people that read manga or watch anime, and anybody that enjoys cool gadgets to visit the Japanese section. This was very interesting and informative as to how the Japanese have gotten to where they are today.

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Art in a Tunnel? Blurb 2 http://macaulay.cuny.edu/seminars/saldana07/2007/10/art-in-a-tunnel-blurb-2/ http://macaulay.cuny.edu/seminars/saldana07/2007/10/art-in-a-tunnel-blurb-2/#comments Wed, 17 Oct 2007 17:06:27 +0000 KennyLi http://web.honorscollege.cuny.edu/seminars/saldana07/?p=330 Anyone that rides New York’s subway has for certain seen the magnificent art forms of the transit system. They are located in subway stations, on platforms, and even inside trains at times. Like most New Yorkers, I simply pass them without giving a second’s thought. However, one afternoon, something struck me. A young musician was playing a cello, at the 51st Lexington Ave. station. What caught my attention was the fact that it was so majestic, yet soothing at the same time. I had to explore why this was so. The musician had an amplifier, but what really made the difference was the location of where he was playing. The arch-like shape of the tunnel reflected sound perfectly right back to me; making the notes sound more lively than ever before. This peace of mind would be short lived because of the oncoming trains, but once they left, harmony was reestablished. This short period brings us, New Yorkers, a moment of tranquility from our speedy life.

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Hidden Gem http://macaulay.cuny.edu/seminars/saldana07/2007/10/hidden-gem/ http://macaulay.cuny.edu/seminars/saldana07/2007/10/hidden-gem/#comments Wed, 10 Oct 2007 20:50:08 +0000 KennyLi http://web.honorscollege.cuny.edu/seminars/saldana07/?p=237 Hidden Gem

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MoMA? http://macaulay.cuny.edu/seminars/saldana07/2007/10/moma-2/ http://macaulay.cuny.edu/seminars/saldana07/2007/10/moma-2/#comments Wed, 10 Oct 2007 17:29:07 +0000 KennyLi http://web.honorscollege.cuny.edu/seminars/saldana07/?p=216 On my next adventure to discover art, I chose to learn what kind of art is around me. Unlike Medieval or Renaissance art, which has captions stating its significance, modern art is ungraspable. I asked myself, where could I find modern art? Where else than the Museum of Modern Arts (MoMA). During my trip to the MoMA, I was bewildered. I remember spending most of time looking at the artworks, trying to comprehend what is being displayed. The lack of understanding was simply dreadful to bear. Before stepping into the MoMa, I had the impression that modern art was easy to understand. I am living in a socially advance society, so art should be more coherent than artworks created centuries ago. I was wrong.

This was my first time being inside the MoMa so I decided to join the gallery talk to play it safe. However, after half an hour of waiting for Marianne Eggler-Gerozissis, the scheduled speaker, the tour group was disbanded. I took up the challenge to understand modern art myself, which was a complete failure. I walked through countless rooms filled with art pieces to which I had no understanding of what is being displayed or the author’s purpose. I remember coming across a display of a shredded piece of paper. I asked myself, “How is this it art?” According to my standard of art, some kind of thought or effort must be used in creating the subject. A rip piece of paper in a pile shows neither of these traits. After spending several moments hypothesizing about the significance, I ended in retreat to the next artwork.

When all hope seems lost, I encounter Van Gogh’s Starry Night and Picasso’s Les Demoiselles d’Avignon. These two were exceptional compared to the majority of artworks within the MoMA. The moment I glanced at Starry Night, I felt a sense of vague relaxation from the blend of soft colors and images. Picasso’s Les Demoiselles d’Avignon was the complete opposite with the feeling of repulse with their rough colors and form. The best understanding I had would be Andy Warhol’s Campbell Soup Cans. By showing the different varieties introduced over time, Warhol shows society’s demand for new ideas and new taste. I had a special connection with the Campbell Soup because Warhol uses an ordinary subject from life, soup, rather than abstract terms. Campbell’s Soup Can gives me a sense of understanding because I drink soup often. Seeing something recognizable from daily life bestows upon me a sense of belonging.

From observing countless art pieces inside the MoMa, I asked myself, “Is there a meaning behind these “art works”? Or I just do not understand?” Whatever the case is, there is nothing I can do. My opinion of what is art and what is not does not change society’s perception of art. If people see a white piece of paper and call it art, then let it be so. I learned from this that modern art could have an abstract meaning or purpose; bringing me into further confusion about what art is used for. I appreciate seeing unique creations, but without a guide or artist to explain its significance, I do not feel the need to confuse my already puzzled mind. Lastly, I would recommend the MoMA to anyone whom has an imagination to give meaning to something that does not.

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Robert Lehman Collection Blurb#1 http://macaulay.cuny.edu/seminars/saldana07/2007/09/robert-lehman-collection-blurb1/ http://macaulay.cuny.edu/seminars/saldana07/2007/09/robert-lehman-collection-blurb1/#comments Wed, 26 Sep 2007 03:07:33 +0000 KennyLi http://web.honorscollege.cuny.edu/seminars/saldana07/?p=128 Due to renovations, the Robert Lehman Collection at the Metropolitan Museum of Art was moved to an underground gallery next to the cafeteria. After finishing the tedious tour, nothing beats sitting down and grabbing a bite right outside the gallery. Only a small portion of the artworks was brought down, according to Carmeta Barone, the tour guide. The tour, lasting an hour long consisted of only several artworks ranging from Early Renaissance to Post-Impressionism. Probably one of the most famous artworks displayed was “A Goldsmith in His Shop” by Petrus Christus. Upon seeing this painting in a concave section of the wall, I was surprised to learn that this painting existed within the Metropolitan. Previously I have had the luxury of seeing this painting in a textbook. Ms. Barone gave a lecture about this painting, which was quite dull to the ears because she was lecturing uninteresting facts. Personally, I was glad to have learned about this painting because it allowed me to look for specific aspects of the painting that Ms. Barone does not mention. The impression that I got from this tour was that Ms. Barone was rushing to get to as many of the paintings as possible within the hour. Currently I would not recommend the tour of the Robert Lehman Collection to anyone whom has no prior knowledge of the artworks. Without any prior knowledge, it would be hard to grasp the true intentions of the painters as well as appreciate the artwork within the four minutes allotted to each.

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The Big Draw Review #1 http://macaulay.cuny.edu/seminars/saldana07/2007/09/the-big-draw-review-1-2/ http://macaulay.cuny.edu/seminars/saldana07/2007/09/the-big-draw-review-1-2/#comments Wed, 19 Sep 2007 17:00:24 +0000 KennyLi http://web.honorscollege.cuny.edu/seminars/saldana07/?p=95 “The Big Draw”, presented by The Drawing Center as well as being part of the River to River Festival, made its second appearance in New York City. “The Big Draw”, a popular arts program in the United Kingdom comes to New York to share one day of free artistic fun with everyone. Spread over five locations in Lower Manhattan, “The Big Draw” provided unique activities at each of these locations. Such activities included discovering the secret of Asian Calligraphy, knitting and crocheting, ordinary scenery drawing, drawing objects in motion, as well as graffiti laser tag (which was cancelled). Most of these events were held at the same time making it impossible to experience all these events fully if one wanted to visit them all.

My first event was at the South Street Seaport, which the topic was discovering the secret of Asian Calligraphy. Upon arriving at the stall with volunteers, I was given a sketchbook as well as several tracing papers and told to trace a black and white picture of the river view. The next activity is the drawing boards on the broad walk. Next to the bucket of water (which is the ink) were brushes that were two to three feet long. I tried imitating some Chinese characters on the board, but trying to control the movements was difficult because the brush was long and rough. The drawback to this activity was before I could finish; I noticed that the first half of my drawing already dried up. I looked around but I could not see the artist that was there to help teach and explain the event. I suppose the heat was just too much for everybody. Other participants were mostly drawing or tracing the river view. At the end of this event, which lasted less than half an hour, I decided to move onto my next event.

My next event was located at the World Financial Center. The topic of this event was learning to knit, knot and crochet. This event was better planned than the South Street Seaport event. There was an overhead tent, along with seats providing shade and comfort for participants knitting. There were about 20 kids and parents sitting and knitting. I took a shot at knitting and asked for help from one of the volunteers. Knitting was a lot harder than expected. I frequently messed up, requiring me to do it over again or ask for help. The best part of this event would be the ability to throw yarn around two vans. There were many kids playing with yarn within the “yarn webs”.

In conclusion, the experience at these two events was fair. The gain from “The Big Draw” event was that it provided people with the opportunity to do some creative art activity (such as throwing yarn around freely), which would never be done on a normal basis. However, this event would not be appropriate for other teenagers or adults without children because it felt like a playground rather than an artistic event. Just being there gave me a sense of awkwardness. I would not recommend this event unless they move the activities indoors and actually include exciting events for people besides kids.

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