Tantalizingly Bizarre. Those two words sum up how i felt about Heiner Muller's Quartett. After a weeks worth of anticipatory class room discussion based on texts, I was looking forward to seeing the beast itself live on stage.

At first it was a bit jarring, and I struggled to make sense of it all between the captions and all the eccentric activity on stage.

I love subways. From the graffiti coated hulks of decades past, to the sleek, energy efficient models of today, every subway has a story to tell. Ever since I was a child I've been fascinated with the city and the seemingly infinite amount of possibilities that are presented here every day. New Yorkers have the extraordinary ability to to leap from lily pad to lily pad, each time soaking up a new experience. At the heart of this ability are the subways. My favorite, and most defining aspect of living in New York City is that people can re-invent yourself every time they walk out the door.

 How many first semester college students can say that they have had a sit down conversation with the creative director of Carnegie Hall? We can. In anticipation of seeing an evening performance of the class of 78's compositions at the Weill Recital Hall, we met with Jeremy Geffen that afternoon at Carnegie Hall. The first thing I noticed upon entering the room was the gorgeous view--the canopy of Central Park, with its fall colors starting to settle in, like great puffs of red, orange, and yellow cotton candy within seemingly plucking distance. It was not long before Mr.

For two weeks now I have been going to Yoga to the People right by Astor Place. The Yoga to the People philosophy is simple" Yoga made available to everyone. On their site it states: