painting

Gerhard Richter @ Marian Goodman Gallery

 The Marian Goodman Gallery of New York City is currently hosting a Gerhard Richter show with a series of oil paintings called 911. Gerhard Richter is a painter who is revolutionary in the same way that Jackson Pollack was for the arts. Pollack began using a drip and splatter technique and at the time, this had never been seen before. In the same way, when Richter unveiled his first paintings, the artistic scene was in awe. He used a technique that smudged and blurred the oil paint colors that he used on the canvas.

MOMA tour

My favorite part of the MOMA tour was definitely the "Mod" room. Even though those paintings were created from the 1920's to the 1940's, they remind me so much of the 1960's mod era. I was told by Dr. Bergman that this artist actually inspired the Mod era, which is amazing. The simplicity of the paintings is what captured my attention the most. When I walked into the room, the first thing I said was "Ooo, artwork for your new home!" This is exactly what this kind of art inspires me to do: decorate. It may seem corny, but I love contemporary art.

Patty's picture

Dancing Girls

Spending my Thanksgiving in the faraway land of Montana, I am not truthfully exposed to art of any kind. I saw a painting or two made by a local artist nevertheless it did steer any particular emotions in me. However, today, scoping through one of art albums in a bookstore I came across a painting like nothing I have ever seen before. The painting, Dancing Girls, is made by an Iraqi painter- Hafiz Drubi. It is in a way a representation of Cubism, but in another its opposition.

MOMA

Flatness in Demoiselles d'avignon

 After having seen Demoiselle d'avignon a first time and not having really gotten a lot out of it, it was helpful to go see it a second time after our class discussion, where everything finally was clear to me. I must say that it is a perplexing concept to grasp, the idea that a painting is made to point out that depth cannot be shown on a canvas. However, at the same time, the painting also seems to hint of depth itself, otherwise how could a woman's hand be behind her back or how could she be facing sidewards without there being another side of her beyond that?

Syndicate content